Sonata for Clarinet and Percussion

Carnegie Recital Hall, NY, February 12, 1980, The Uwharrie Duo

New York Times, February 17, 1980, Joseph Horowitz

The most sustained effort to suggest a shared exposition of ideas, as opposed to merely manipulating mood and texture, came in Mr. Lesemann's Sonata for Clarinet and Percussion (1968, 1972), which also effectively employs a vibraphone to surround the clarinet tones with a ghostly, oscillating halo.